A note on Liam Browne
Liam Browne died on Saturday 21 February 2026. Liam Browne was a person of immense modesty. He did a lot – he was a veritable renaissance man – but one only heard about his achievements from other people; one never heard about them from him. In his one to one dealings, at least this was my experience, this was the case with our numerous one-to-one encounters, he always focused relentlessly on the business in hand. At Liam’s behest I chaired numerous interviews at literary festivals with writers and intellectuals about their own work or the work of others (I did at least seventy of these I’d say for Liam over the years), and so that was what we talked about. But what bliss it was to have those conversations and how lucky do I count myself now that I had so many of them. (The Gods were smiling there.) Liam was funny and incisive and quick, widely and deeply read, shrewd, strategic and incisive. He could sum up a text in a pithy phrase and the life of an artist in a couple of lines. His breadth of knowledge was incredible. He gave very good notes regarding how an interview should be conducted or what had to be touched upon and he always gave brilliant advice on how to handle those that in our private language we called VDPs – very difficult people. And after I had done the gig he was always immediately in touch (yes, always first) with assurance (always welcome) and understanding, and counsel as to what might be learnt from the encounter and be put to good use next time. All our conversations were fruitful, enlarging and nourishing. He gave me opportunities (for which obviously I am thankful) and, thanks to his wisdom, I am a much better person. I have had all sorts of dealings with all sorts of people in the Republic (or is it the Kingdom?) of Letters but no other figure has done what Liam did for me because no other person has enhanced me like he did. Thank Mr Browne. I shall miss you sorely.
Carlo Gebler
Tues 24 Feb ‘26
ARTS OVER BORDERS IRELAND PRESENTS
Under the umbrella of Ireland’s northern literary lands, Arts Over Borders is launching its own five year programme of cross-border artistic initiatives inspired by leading writers Samuel Beckett, Oscar Wilde and Brian Friel, all writers with links to the border counties. Featuring events in Donegal, Derry- Londonderry, Fermanagh and Tyrone, the programme will also highlight an east-west link with the new Samuel Beckett Biennale fielding experimental productions in Greystones, Wicklow, Folkstone and Reading.
2026 Samuel Beckett Biennale
Greystones: An Evening in the Future on the Spring Equinox, March 20 & 21 2026, 8pm
Premiere of Krapp’s Last Tape performed by Olivier Award nominee Malcolm Sinclair with AI (his younger taped self).
The Whale Theatre, Greystones. Tickets and more information: www.whaletheatre.ie
(photo of Malcolm Sinclair)
Derry~Londonderry: Waiting for Godot in Ulster-Scots – Palm Sunday weekend, March 28 & 29 2026
Two days of public open rehearsals. Come and go, listen in to the first rehearsals of Frank Ferguson’s new translation in Ulster-Scots of this Beckett classic commissioned by Arts Over Borders. A moderator will allow attendees to contribute with their comments on words and pronunciations on this new language translation.
Act 1 : Saturday March 28 10am-5pm (FREE). The Playhouse Derry
Act 2 : Sunday March 29 10am-4pm (FREE). THe Great Hall, Magee College, Ulster University

The Samuel Beckett Biennale will radiate out of Enniskillen, the home to the 10 year Happy Days Enniskillen International Beckett Festival, to the author’s other geographical locations across Ireland and England including Folkestone, Reading, Snodland and London as well as Greystones, Wicklow, Belfast, Dublin and Enniskillen. The SBB will be location-specific to Beckett’s individual plays and prose and at times time-specific across the calendar year. Its locations will bring together east-west as well as north-south, a model for our times. A single Beckett work will be presented in one place at one time and will act as a public laboratory festival emphasising experimentation and innovation. Further information on the Samuel Beckett Biennale spring edition, click here
Events 2026
FrielDays – Here We Come !
Following the first year success of FrielDays 2025, the 5 -year journey of 29 Brian Friel plays across You Are Now Entering Friel Derry)will include Friel’s Freedom of the City, England’s first opera the ‘terroir’ of Ireland’s northwestern countries continues apace to the writer’s centenary in 2029. Running from June -December 2026, it features 10 Friel plays; a new 2026 highlight (under the subheading, Dido & Aeneas by Henry Purcell and Seamus Heaney’s The Burial at Thebes in Derry’s bogside.
The Samuel Beckett Biennale – to happen in Beckett associated locations – Greystones, Wicklow, Folkestone, Belfast, Enniskillen, Reading – across Ireland (north &south) and England from 20th March – 22nd December 2026.
Rewildeing Enniskillen: building new work on Enniskillen’s public art of 150 little golden Swallows, evoking Oscar Wilde’s The Happy Prince, and the 64 piece Beckett Chess Set by Fermanagh sculptor Alan Milligan.





